Wednesday, November 25, 2009

The apple cart



George Bernard Shaw- GBS for short- remains one of my favourite playwrights and this play by him one of my favourite plays.In fact, I am surprised at myself that I thought of this book rather late!


GBS loved to call his plays sugar coated pills because he deftly hid his didacticism amidst a conversational opera of sparkling humour. And alas for him! Probably his plays have survived popular due to this very quality rather than the embedded message.His interminable prefaces are worth a mention because of the lovely language rather than the preachiness.


The very title of this play is an enigma- ' Apple Cart' sounds too trivial to be a Shavian play. But it originates from the phrase ' to upset somebody's apple cart' i.e. to put somebody's well laid plans to nought.


In this case, it is the lead character King Magnus who upsets the apple cart of his cabinet led by his seemingly blustering but shrewd Prime Minister Proteus.


The plot is that King Magnus is the king of England where the monarch is the constitutional head of state. His cabinet is of the view that he should be a mere cipher and should only be of ceremonial value. A very telling instance is when he is advised by them that he should make no statements or asides on matters of policy. " But statements like -we declare this foundation stone well and truly laid- were in order."


King Magnus possesses a native shrewdness and a belief that a constitutional monarch stands as a bulwark against the heavy weather of politics fostered by the weathercock nature of public opinion.However, his cabinet is as determined to force an ultimatum upon him- either he function entirely on their advice or they approach the people for the last word on this.


The two chief scenes of the play are those of verbal confrontation between the king and his minsters. There is one speech of the king that I simply cannot resist reproducing-


MAGNUS [continuing] Naturally I want to avert a conflict in which success would damage me and failure disable me. But you tell me that I can do so only by signing pledges which would make me a mere Lord Chamberlain, without even the despotism which he exercises over the theatre. I should sink below the level of the meanest of my subjects, my sole privilege being that of being shot at when some victim of misgovernment resorts to assassination to avenge himself. How am I to defend myself? You are many: I oppose you single-handed. There was a time when the king could depend on the support of the aristocracy and the cultivated bourgeoisie. Today there is not a single aristocrat left in politics, not a single member of the professions, not a single leading personage in big business or finance. They are richer than ever, more powerful than ever, more able and better educated than ever. But not one of them will touch this drudgery of government, this public work that never ends because we cannot finish one job without creating ten fresh ones. We get no thanks for it because ninety-nine hundredths of it is unknown to the people, and the remaining hundredth is resented by them as an invasion of their liberty or an increase in their taxation. It wears out the strongest man, and even the strongest woman, in five or six years. It slows down to nothing when we are fresh from our holidays and best able to bear it, and rises in an overwhelming wave through some unforeseen catastrophe when we are on the verge of nervous breakdown from overwork and fit for rest and sleep only. And this drudgery, remember, is a sweated trade, the only one now left in this country. My civil list leaves me a poor man among multi-millionaires. Your salaries can be earned ten times over in the city by anyone with outstanding organizing or administrative ability. History tells us that the first Lord Chancellor who abandoned the woolsack for the city boardroom struck the nation with amazement: today the nation would be equally amazed if a man of his ability thought it worth his while to prefer the woolsack even to the stool of an office boy as a jumping-off place for his ambition. Our work is no longer even respected. It is looked down on by our men of genius as dirty work. What great actor would exchange his stage? what great barrister his court? what great preacher his pulpit? for the squalor of the political arena in which we have to struggle with foolish factions in parliament and with ignorant voters in the constituencies? The scientists will have nothing to do with us; for the atmosphere of politics is not the atmosphere of science. Even political science, the science by which civilization must live or die, is busy explaining the past whilst we have to grapple with the present: it leaves the ground before our feet in black darkness whilst it lights up every corner of the landscape behind us. All the talent and genius of the country is bought up by the flood of unearned money. On that poisoned wealth talent and genius live far more luxuriously in the service of the rich than we in the service of our country. Politics, once the centre of attraction for ability, public spirit, and ambition, has now become the refuge of a few fanciers of public speaking and party intrigue who find all the other avenues to distinction closed to them either by their lack of practical ability, their comparative poverty and lack of education, or, let me hasten to add, their hatred of oppression and injustice, and their contempt for the chicaneries and false pretences of commercialized professionalism. History tells us of a gentleman-statesman who declared that such people were not fit to govern. Within a year it was discovered that they could govern at least as well as anyone else who could be persuaded to take on the job. Then began that abandonment of politics by the old governing class which has ended in all Cabinets, conservative no less than progressive, being what were called in the days of that rash statesman Labor Cabinets. Do not misunderstand me: I do not want the old governing class back. It governed so selfishly that the people would have perished if democracy had not swept it out of politics. But evil as it was in many ways, at least it stood above the tyranny of popular ignorance and popular poverty. Today only the king stands above that tyranny. You are dangerously subject to it. In spite of my urgings and remonstrances you have not yet dared to take command of our schools and put a stop to the inculcation upon your unfortunate children of superstitions and prejudices that stand like stone walls across every forward path. Are you well advised in trying to reduce me to your own slavery to them? If I do not stand above them there is no longer any reason for my existence at all. I stand for the future and the past, for the posterity that has no vote and the tradition that never had any. I stand for the great abstractions: for conscience and virtue; for the eternal against the expedient; for the evolutionary appetite against the day's gluttony; for intellectual integrity, for humanity, for the rescue of industry from commercialism and of science from professionalism, for everything that you desire as sincerely as I, but which in you is held in leash by the Press, which can organize against you the ignorance and superstition, the timidity and credulity, the gullibility and prudery, the hating and hunting instinct of the voting mob, and cast you down from power if you utter a word to alarm or displease the adventurers who have the Press in their pockets. Between you and that tyranny stands the throne. I have no elections to fear; and if any newspaper magnate dares offend me, that magnate's fashionable wife and marriageable daughters will soon make him understand that the King's displeasure is still a sentence of social death within range of St James's Palace. Think of the things you dare not do! the persons you dare not offend! Well, a king with a little courage may tackle them for you. Responsibilities which would break your backs may still be borne on a king's shoulders. But he must be a king, not a puppet. You would be responsible for a puppet: remember that. But whilst you continue to support me as a separate and independent estate of the realm, I am your scapegoat: you get the credit of all our popular legislation whilst you put the odium of all our resistance to ignorant popular clamor on me. I ask you, before you play your last card and destroy me, to consider where you will be without me. Think once: think twice: for your danger is, not that I may defeat you, but that your success is certain if you insist.


But all this fine talking by the king is of no avail- his cabinet is adamant. Finally , the king brings out his ace of trumps-he threatens to abdicate in favour of his son and contest elections to the House of Commons, maybe forming a new party.
The ministers realized that the king would sweep such elections, and the Prime Minister tears up the ultimatum in a gesture of disgust.
In betwixt this main plot, there is a funny interlude of the American ambassador visiting the King and Queen and putting forth a fantastic proposition- that of the United States rejoining Great Britain and cancelling the declaration of independance! The king jocularly responds that to avoid making Britain a mere appendage of the United States, he would raise the old war cry of Sinn Fein and fight for their independance!!
King Magnus is one of my favourite characters in fiction. Wise and sagacious, but practical and shrewd in worldly affairs. A person who enjoys the company of a mistress, but shares a lasting and affectionate relationship with his wife of many years. With more wit and less bluster than his formidable Prime Minister. Of good and mesmerizing speech, but my no means a preacher. A statesman in his quiet way.
Have I gone overboard with praise? Probably, but then I prefer these plausible heroes to Ayn Rand's superheroes :)

Tuesday, November 24, 2009

The gift of the Magi

http://en.wikipedia.org/wiki/The_Gift_of_the_Magi

For those uninitiated with Biblical stories, the 'Magi' were three wise men, kings from the east, who came with gifts for the infant Jesus Christ in the manger after being apprised of his birth by a star in the heavens.The gifts are mentioned as gold, myrrh and frankincense.

O.Henry, in his inimitable style, has created this cute young couple of Della and James 'Jim' Dillingham Young, a couple very much in love and struggling to meet both ends meet.

The couple have two special sources of pride, a watch belonging to Jim's father and Della's lovely knee length hair.

One Christmas, Della is shown weeping because she has no money to buy Jim a Christmas present. At last, she rises with a kind of desperate resolve and goes to a beauty salon where she sells her hair for twenty one dollars.With the money, she buys a watch chain for Jim's watch. She thinks a tad wistfully that the chain was just like Jim- it had 'quietness and value'.

At home, she gets to work on her shorn hair with a curling iron and sits in deep dread of Jim's reaction.

When Jim finally enters, he stands dumbstruck at her appearance.She implores him not to look at her like that, as she only sold her hair to buy his Christmas present. Jim recovers and tells her in a warm embrace that this makes no difference to him.

But when he hands over his present, Della unwraps it and screams with excitement at th sight of two lovely tortoiseshell combs for her hair. She had admired them in a shop window and had never hoped to own them. But - the tresses that they should have adorned were gone!

When she showed Jim his present, he stared - and told her that he had sold his watch to buy her combs!!

The story ends with this pretty little scene- but the author remarks that these foolish young things were like the wise Magi in a way. They sacrificed their most precious things for the love of each other, and thus made the useless gifts the most precious of all.

This story attracts for its simplicity, feeling and gentle wit. And also for O.Henry's relative departure from his verbose style. And of course, the 'punch' or surprise at the end of the story is vintage O.Henry.

I would recommend all to read O. Henry- despite his contrived language, he is indeed a delightful writer!



Friday, November 20, 2009

A tale of two cities

http://en.wikipedia.org/wiki/A_tale_of_two_cities



Why am I starting with this one?



Maybe because some of my happiest memories of childhood are associated with this novel. I always had an interest in history; particularly the French Revolution, with its opressed plebians arising to overthrow the disdainful nobility, struck a chord somewhere.I recollect being completely sympathetic to Sydney Carton with his failed love and his empty life-and suddenly being enthralled with his supreme self-sacrifice.



'It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.'



The famous opening words of the novel.I also recollect reading these words aloud to myself, savouring their sounds with my tongue and swaying to their lilt. It was also the time of the beginning of my lifelong love affair with the English tongue. Those impressionable years valued beauty of words over their simplicity and meaning.



The book remains one of the best selling novels about the French Revolution, and many would still prefer its simple storytelling to Thomas Carlyle's impressive study of the revolution.



It has variously been alleged against Dickens that his characters are flat and one-dimensional and his storyline predictable.Lucie Manette stands only for goodness and beauty-note the metaphor of 'light' used all around her. The sinister Madame Defarge stands only for evil, though there is a modicum of support to her in the touching story of her peasant family that comes out during Charles Darnay's final trial. There are caricatures like Miss Pross and the ghoulish road fixer.

All in all, it is a very entertaining story, and you kind of get caught in the tide of events and people, triumphs and tragedies, to the denouement of Carton's self sacrifice.Here, unlike the Pickwick Papers, the characters do not overwhelm you by their sheer number, but rather by what they stand for.

Another significant fact is that while Dickens rips apart French society for its blatant inequality and opression, he is more contemptuous of the decadent societies of that time as is seen in his less-than-flattering portrayal of England too.

In his rather masala-movie portrayal of the look alikes- Darnay and Carton- he inserts a bit of psychology as well.Carton hates Darnay all the more because he cannot be more like him except in looks. Darnay has all he craves for- the love of Lucie and success in life.He hides his feelings behind the veil of a simulated contempt and disdain.

This book will always remin close to my heart for awakening my interest both in History and the English language,both of which interests remain as strong as ever.

Thursday, November 19, 2009

What will I write?

I had always maintained that I would not create one blog too many-and here I am reneging on my own words!

I already write (or used to write) 2- www.musings-athena.blogspot.com and www.mesmer.sulekha.com/allposts.htm. I was a prolific writer sometime back, and intend to be one again with this blog.

But I have a ready excuse- this blog will be solely devoted to my take on my passion-books. It will contain my outpourings, raves, rants, panegyrics, etc etc. on books that have impressed me to no end-favourably or otherwise.

Do not consider it as a book review blog-that one normally tends to pedantry and ulterior motives. I have received no bag of gold from any author for writing on his book and am not likely to receive one either :P

So you can assume that what I write will be as much from the heart as from the mind. And please give me your takes on my takes in abundance.

Love

Kranti